All Kinds of Overdue.

So gouache. 

This week's assignment has been a little rough. Just a little bit. 

In regards to my three object gouache, I had initially started (#redundant) with three different objects. I had a cupcake, an elephant, and Theodore Roosevelt. (In searching for images of the latter, I discovered this gem http://fuckyeatheodoreroosevelt.tumblr.com/ and may have spent wayyyy too much time perusing the site. Does that figure into my nine hours? Probably not. Good.) So anyway, I was about half - maybe a fourth - of the way through and realized it wasn't working. Mainly because that demon spectrum red that I was struggling with. The elephant was pink, as were were forced advised to not use the same color as it had been in the photographic reference. And if even an ounce of spectrum red is in the mixture, the whole thing is just stained a horrid shade of pink. So the whole gouache pickout technique was not working. 

So what is one to do? Obviously scrap the piece. (Actually I still have it and may post a picture of it if I find the time and/or the motivation. It wasn't the worst thing in the world but I wasn't happy with it). Also, the composition was a little off. So naturally I spent the next hour or so with Photoshop painstakingly arranging three separate images in the hopes of creating a decent composition. I ended up with some cupcakes, a giraffe, and a teapot. I started with this idea that I wanted to use really bright colors and it would look crazy and cool and all it was was a hot mess. It was bad. It went straight in the trash about five minutes in. Maybe about fifteen. I don't know, all I know is that I actually threw it away. 

So third time's a charm, right? I redrew the composition and then only used a black and white photo for reference ... so I was not even tempted to use the original colors. I used muted hues because I of what happened with the bright colors, and knew that I could introduce those cRaZaY colors in later if necessary. (Also please ignore my reversion to the kind of internet language of about 2006, apparently blogging this early makes me type like I did in the 7th grade.) So I used a blueish gray deal for the teapot, which is what I did first, because I'm more of a "let's build my confidence and then I'll think I'm able to conquer the rest of this deal" rather than "let's do the hardest part but OH MY GOD this is a shitshow and it's never going to get better" girl when it comes to projects like this. So moral of the story, the teapot came first. 

Then came the cupcakes. Those were a little rough. I used the whole spectrum red dealio for these to my advantage, as I whipped up a brown hue for the icing parts which had a little spectrum red thrown in the mix, so that when I scrubbed (and did not cause pilling of the paper this time around, thank you very much) it lifted up to a nice light pinkish. Which was great. The wrappers of the cupcake aren't my favorite thing in the world but hey, they're alright. 

Thennnnn the giraffe happened. I was a little afraid of it. But it wasn't that bad. It was actually almost kind of fun. There were a lot of highlights which was nice because it makes the pick out technique a lot easier and kind of fulfills the purpose of the picking out. And everything's in proportion, so that's good. I did run into a few of those pencil lines whilst picking out the neck which were a bit of a nuisance because I just wanted to be a free spirit with those spots but fate wouldn't have it so I was bound by the constraints of my original sketch. But alas, it turned out alright. Apparently the giraffe needs "definition" and a little "contrast" (note the quotes ... that means I'm not entirely sure that's going to happen but maybe I will forego all of my other classes/responsibilities/semblance of a healthy social life in order to make that happen by portfolio. We shall see about that.) And finally I threw in a few little baby white highlights and a smorgasbord of hues for the background. It's a little trippy. Actually it's a lot of trippy. But it's alright. I'm okay with it. 

(once again we have the award winning iPhone photography working in our favor ... I'll scan it someday and by someday I mean by next Wednesday for the portfolio) 

Blogging Ahead of the Game (Kind of. Not really)

But anyway, here's what we (meaning me) started in class on Friday. I finished it up yesterday, and wanted to blog about it before I forgot.

Obviously the image quality is realllyyyyy good. But I'll scan it in tomorrow and hopefully make up for the fact that this photographs strangely due to the curling of the watercolor paper. 

But anyway, I feel like I didn't really use the whole pick out technique here. I mean, I used it, but it didn't really produce the same effect. There are about a million layers of gouache on each of these apples, which was a lesson in patience as I waited for each one to dry. I also experimented with using different pigments (note: purple) to get different effects as I didn't want to use black except for in the bottom of the basket deal. Also, those white highlights are really awkward, but I didn't know how to approach the highlights otherwise as trying to pick out those highlights just resulted in rubbing the paper raw. And the tape ripped a little bit in the bottom left edge, which was sad. But overall, I kind of liked how this turned out. 

More Pickin'

So here's the next round of gouache using the pick out method. This is supposed to be what we started in class on Wednesday but that one looked awfully horrendous so I started over when I got home. For this one, I used photographic reference of my great aunt Shirley. 

I really enjoyed doing this round of gouache. I chose this photo because there were a lot of highlights and shadows on her face, and I think that translated well in this illustration. I experimented with different brushes and techniques as well. I used a flat brush swept straight across for the arm of the glasses, but used a smaller round brush for the shadow of the glasses because the line was a bit warped across the cheek. For the hair, I used a balled up Kleenex (I was at work and didn't have ready access to Viva #productplacement #notreally) and really liked how it turned out. I know I could work more on this piece and add more detail, but I'm happy with how it looks right now. I also wanted to stick with the whole monochromatic deal, and didn't want to add any other pigment in (also I'm scared that I'll mess it up. But we're working through those fears, right, Rusty?)

This Looked Really Good Until ...

I took it to Rusty's office for help.

So it turns out skipping class on the day the demo is done is not the best idea in the world. Apparently.

But regardless, we are now experimenting with the technique of "pick out gouache".

Frustrations with this whole deal:

1. This technique requires patience. I'm not really the best with patience. After perfecting the ratio of gesso to matte medium to water (perfecting = squirting/pouring a bunch of each into a tupperware container and hoping for some kind of balance), I had to wait for it to try before I could lay down any pigment. So there's that. And then once the solution was dry, I had to wait for the gouache to dry. Also, I'm really proud of myself for being able to spell gouache correctly without spellcheck. #smallvictories. Anyway, just getting to what seems like square 1 took a lot longer than I had anticipated. So ... I guess a lesson in patience wouldn't be the worst thing in the world.

2. I followed the directions on the blog in order to learn how to do this technique (and took a little bit of direction from Rusty when I went into his office to whine after I had skipped class) and may have a slight different interpretation of what a "fairly thick" layer of gouache is. Meaning, overall, that my pencil lines didn't show through, and I was kind of just guessing. Which actually turned out kind of cool, because I wasn't bound to that initial framework. But lesson learned: make sure the pencil lines show through. If you're into that sort of thing.

3. I got stuck. Like, really stuck. Like I did the eyes about seven times before giving up and asking for help from Rusty. And this looked really cool before I took it to Rusty's office. Like, really cool. And then I mean I guess it looks okay now and I guess I didn't ignore a crucial component of this illustration. So that's not really a complaint but rather just a PSA that this looked good at one point.

Small (and possibly insignificant) triumphs:

1. I actually kind of liked this. Have you ever had dinosaur egg oatmeal? It was my staple from about grades 1-3 in the morning. Well the cool thing about dinosaur egg oatmeal was that there were these little eggs of brown sugar and when they dissolved in the hot oatmeal, there were little dinosaur sprinkles inside. And that's how I felt doing this assignment ... that I dissolved the gouache with water and a brush and the dinosaur was revealed. Or, in this case, a nose, teeth, some eyebrows ... you get the gist of it.

2. This forced me to look at shadows and highlights in a different way. I looked at the forms in the face in regards to highlights and lowlights and shadows instead of features, and I picked them out as shapes.

3. I did two of these in the event that one turned out horribly wrong. One is definitely preferable to the other. But it's okay.

4. This was overall a cool technique. I suppose. As much as I complained about it, it's cool.


I guess I could now actually show what I was referencing above:

This one here is a picture I took of one of my grandfather's friends. I actually have no idea who this is but I took a picture of him at some point so hopefully he's one of Grandpa Dave's friends otherwise that's real weird.

And my second attempt, a picture I had taken of my brother a few years ago. We don't need to acknowledge that this exists. 

The One Time When We Only Had To Do One

So the paramaters for this assignment was to choose one subject to do a spot illustration that could be used in a promotional piece for Truman. So used a photograph that I had of Kirk Memorial building that I used for reference. 

So thoughts about this assignment: 

1. The problem areas that I had here were the trees and the bricks. About halfway through doing the bricks, I found a new system that I could have used that would have saved me about half the time and about 90% of the effort. But by that point, I was already committed to each and every one of those little rust colored demons. So I just had to go with it. And that frustration is easily seen right in the middle above that little archway thing, as the bricks are larger and more spaced out aka less attention to detail. 

2. So the trees ... I laid down a framework of pencil initially and behind where the trees were to go, I put those pencil markings down a liiiittle too dark. And tried to compensate by laying down more pigment so those circles didn't show through ... and ended up just ruining the whole thing with these blobs of trees. And the pigment is way too heavy for the rest of the piece. But that's okay. I learned from it, right? Right. 

3. I really utilized the "wet on wet" technique in this piece and I liked how it turned out. I was initially (you know, back in the day aka two weeks ago when we learned different watercolor techniques) skeptical of this technique and its practical application, but it's one of my favorite now. I used that for the gray parts and liked how it kind of created a marbled effect. 

4. Detail really makes a difference. There were a few things that I went in later and added, and it made a big difference in regards to contrast and really making this piece what it is. (What? How cheesy is that? Let's pretend that didn't happen.) So anyway, detail = good. 

5. This piece is too big to scan in so we're rocking the always professional phone photo today. Until I get this actually scanned in or decide to take a picture with my DSLR. 

This may be the most beautiful sight I've ever seen. (Rusty's approval, not my illustration)

This Is Kind of About Illustration, Right?

Sooo the roomie and I have a guest staying with us this weekend and I have a paper to write ... meaning that Wednesday afternoon was spent cleaning. And our room is now spotless.And since the room is so clean, naturally I have to take pictures of it. Which is almost kind of like blogging about illustration. Also, I haven't started finished my Illustration homework for Friday so I can't even blog about that and since you (meaning Rusty, because I'm pretty sure that's the only person who actually reads this blog besides my mother) were complaining about how the blogs are dry or whatnot, I decided to show off how crafty we are. 

So, without further adieu ... here we go. 

So here we have our lovely nautical door decs #sopreppy

Panoramic view of the room (which I juuuust figured out how to do on my phone #thanksios7)

And here's the most Catholic corner of a dorm room in the entire world. 

So here's the first round of crafts: I had a ton of pictures that I wanted to display but not a ton of room to do so. So I printed about a million pictures (roughly) on cardstock and then printed them in black and white and adhered them to some light green wrapping paper from the dollar store. 

Then came the quote ... which isn't entirely straight so that's kind of ridiculous but I reeeeally don't want to redo it. But I really liked the Mother Teresa quote and just traced some letters on the light pink dollar store wrapping store paper and taped them up on the wall. 

Annnnnd the third one is some little garland deal made up of some twine and triangles from an old Lilly Pulitzer planner that I had. 

Here is the next round of crafts (and by that I mean one craft). Here's a bit more of the wrapping paper, with a makeshift monogram that I did in gouache of a Lilly print that I had.  

And here's my desk, which I just reorganized and I'm really proud of how nicely it's organized now. 

And a closeup of the desk. 

So here's some more work with gouache. I did the middle one over the summer, again inspired by a Lilly print (it's only a little bit of an obsession, it's fine). And then last weekend I decided I needed to do something else with the other two canvases I had .. So I worked in some quotes. Note: Song of Songs 7:7-8 

Just a view of the room from the door. 

We put up tulle and twinkle lights so basically we're living out the dreams we had for a bedroom when we were six. 

And the view from the bathroom door. (Also it's really convenient that my roommate's name is Elizabeth because we can both decorate with E's and it counts for both of us)

Lizbeth (the roomie) went the twine route when it came to displaying her pictures. Which turned out really cool, and then she used a frame to make a collage over her bed of pictures. Also, those curtains are fabric from Walmart + hot glue. #crafty

Also we did this E. And by we I mean I did it. We got a bunch of flowers from the dollar store and cut off the ends (which totally and completely ruined my scissors because I forgot that there was wire ... so that's good) and then hot glued them onto some cardboard.

And here's the final view. I forgot about the orange thing, which says "Your love never fails" which was some Helvetica vinyl letters and some yellow and pink acrylic paint over it, and then pulled off the letters. So basically a mask of vinyl letters. 

Okay I'm going to go get on that Illustration homework now. 

Architecture + Watercolor

So here comes the first round of watercolor and architecture. I chose eight (eight! Two more than what was required! #crazy) photos to use as reference that seemed pretty varied in color/style/level of difficulty.

So thoughts on this one:

I liked the integration of line art in architecture much more than I did for the landscapes. It was nice how the line art forced me to be tighter in my work, and I think that worked to my advantage.

That being said, it made it more difficult to not be as "loose". I think this was mentioned in class, but if I messed up, it couldn't be as easily corrected as everything is a system of lines and shapes. (Which, I mean everything is a system of lines and shapes but we don't need to get into theory or philosophy or anything here.) I think it was harder dealing with that aspect, as everything was already established and at times I felt like I was just filling in shapes with color.

But anyway, here are my architectural line art watercolors:


So these ones are kind of boring. The Catholic church in Edina and a bridge in New York City. I think on these ones I just forgot that detail was a thing? Maybe. Who knows.

Here's the castle at Disneyland and the Catholic church in Novinger (I think I take a picture of every church I visit? I have a lot of pictures of churches. I'm okay with it.) The color of the castle is suuuper weird, as it's all pink and blue and gold on top and then this disgusting gray on the bottom. But I really liked the colors so I integrated those in my illustration. Also, why did I not paint a sky? I have no idea. 

I really like this little illustration of the church though. So there's that.